摘要
20世纪中国园林美学研究取得了极大的发展,众多学者在法、变、境、情诸方面,极大地丰富和发展了明清以来中国园林美学的不同追求,即本文借用清代诗学理论所归纳的"肌理说""格调说""神韵说"和"性灵说"。陈从周以其对生命的热爱,对性灵的追求,在文学、艺术和建筑学诸多领域的精湛学识,对实地和遗存乐此不疲地探访,对百工之人的不耻相师,以及对园林营造的躬自实践,在所有这些方面的贡献尤其突出:他以诗法画理和实践经验入"肌理说",以诗词、戏曲品鉴补"格调说",在建筑界开园林"意境"品评之先,带动"神韵说"发展,并通过不遗余力地宣传中国园林的生命和情感表达,在中国园林美学的"性灵说"方面独树一帜,从法、变、境到情,揭示了中国园林美学的一个新境界,并代表了对于"诗意栖居"理想的一种东方式理解和追求。
The aesthetic study of the Chinese garden in the 20th century has made tremendous developments and enriched its understanding since the Ming and Qing dynasties. Borrowing concepts from the Qing dynasty studies of Chinese poetry, the author categorizes these interpretations into four ideologies： the Jili School, primarily concerning design principles; the Gediao School, exploring stylistic variations; the Shenyun School, emphasizing the spatial charm （yijing） beyond material confinement; and the Xingling School, considering the garden as a place for self-expression. He further argues that CHEN Congzhou, a distinguished 20th century scholar of the Chinese garden with interests and influ- ences to arts and literature, made unique contributions to all four schools. The author firstly posits that CHEN combined the principles of poetry and painting in the interpretation of garden design; secondly, that he supplemented the garden connoisseurship with stylistic appreciation of Chinese poetry and opera; thirdly, that he was the first Chinese architectural historian who took part in late 1970s discussion on the issue of yijing in Chinese gardens; and fourthly, that he insisted on exploring the beauty of the garden in cultivating an artistic mind and nourishing a passionate soul. CHEN＇s works stands for an oriental understanding of what Martin Heidegger called ＂poetic dwelling.＂
出处
《建筑师》
2018年第5期15-22,共8页
The Architect
关键词
陈从周
中国园林美学
肌理说
格调说
神韵说
性灵说
CHEN Congzhou
The Aesthetics of the Chinese Garden
Jili School
Gediao School
ShenyunSchool
Xingling School
