摘要
在哲学解释理论背景下,分析了阿炳社会身份的真实性,认为《二泉映月》为一首无标题音乐,其主题为"透射出作者内在的矛盾心理";分析了《二泉映月》在当代演奏中存在的问题,认为不依附任何外在因素直接审视作品,更有利于接近作品的内核。
In the theoretical background of philosophical interpretation, the present article analyzes the truth of A Bing' s social identity. The Moon Mirrored in the Erquan Spring is a musical work without title, and its theme is to present the inner contradictory mentality of the composer. It also analyzes the problems in performing the work at pres- ent. If the work is viewed directly, independent of any outer factors, it will be closer to the core of the work.
作者
召唤
ZHAO Huan(Music School,Nanjing Normal University,Nanjing,Jiangsu 210024)
出处
《艺术百家》
CSSCI
北大核心
2018年第3期137-139,155,共4页
Hundred Schools In Arts
关键词
民族音乐
《二泉映月》
解释学
道教
民间音乐
Interpretation
Integration of Perspectives
Taoism
Folk Music
Musical Work Itself