摘要
同一性文化主体体现着一个时代的某种文化契约精神,它们形态万千,或者付诸大工业生产,或者籍由互联网媒体得以复制与传播……在文化生产的背后,同一性的主体精神往往隐匿于视觉丰盛的物质世界,那是一个模仿与山寨文化泛滥的世界;而异质性文化因素的介入则是谨慎的,它拒绝简单的复制与耗费,它在消费与文化之间寻得一种均衡——它让我们明白,消费社会所衍生出来的视觉符号与文化产品为我们展现的是另一种镜子存在及视觉丰盛的后工业文化生产模式——作为"同一性主体"与"异质性介入"的双重文化品质将检视我们的当下所直面的后工业消费文化的存在与走向……摘要:
The subject of them are presented of identity culture embodies the spirit of a certain cultural contract in an era. They are in various forms. Some n industrial production. Some of them can be reproduced and transmitted by means of Intemet media. Behind the cultural production, the subject spirit of identity is usually hidden in sumptuous material world, which is a place full of imitation and copycatting culture. However, the intervention of heterogeneity cultural factors is cautious. It refuses simple copy and consumption and finds a balance between consumption and culture. It makes it clear that the visual symbols and cultural products that derive from the consumer society show people another mirror existence and sumptuous post-industrial cultural production model. The dual cultural quality which possesses the characteristic of the ＂identity subject＂ and ＂heterogeneity intervention＂ will examine the existence and trend of post-industrial consumer culture that we are faced with at the moment...
出处
《创意与设计》
2018年第4期4-10,共7页
Creation and Design
基金
江苏省高校哲学社会科学研究课题(项目编号:2016SJB760032)的阶段性成果
关键词
同一性主体
镜子存在
视觉丰盛
异质性介入
后工业
消费文化
Identity subject
Mirror existence
Sumptuous
Heterogeneity intervention
Post-industrial
Consumer culture
