摘要
《劳燕》突破张翎"交错时空∕多代恩怨∕离散主题"的书写模式,将笔触延伸至第二次世界大战期间位于中国月湖的中美合作训练营,以一个"三男一女"的多角恋故事再现了战争的残酷及人性的失落。作为一位在时空上均远离战争的非亲历者,张翎以人性的战争、交错的叙事及凑拼的历史三个方面组织网罗了战争叙事的三大母题:人性、战争和历史。其独特的全球化视角、宗教式思维向度及人本主义价值中心开拓了"后革命"语境中战争书写的新维度。
A Single SwallowbrokeZhang Ling's writing mode of"interlaced space-time/multi-generational enmity/discrete theme".The fiction extended the strokes to the Sino-American cooperation training camp in Yuehu,China during the Second World War,and recreates the cruelty of war and the loss of humanityfrom a love story about three men and one woman.As a non-personal experienced writer who is far from war in both space and time,Zhang Ling organized three main motifs of war narrative———humanity,war,and history in three aspects:warofhumanity,crisscross of narration and patchwork of history.Its unique global perspective,religious thinking and humanist value have opened up new dimensions of war writing in the context of"postrevolution".
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2018年第5期92-100,共9页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
