摘要
道教法衣因其独特形制及宗教寓意为道家各流派之祭祀及修行用服,并为自春秋始"黄、老"哲学思想宗教化之具体体现,且融入儒、释、阴阳以及民间多神崇拜使之世俗化进而合乎于道家教义之宣慰及布道。基于武当博物馆、北京白云观、国内外博物馆及私人收藏的20件清代及民国时期正一道、全真道教派法衣,梳理其形制、纹饰源流,从而总结道教法衣中蕴含的"天圆地方"之宇宙观、"一生二、二生三、三生万物"之哲学观,实现道教法衣纹饰符号中"天人感应、道法自然"之规律探寻。
Because of its unique form and religious connotation, Taoist ritual robe is the costume of worship, rites and ceremonies of various schools of Taoism, and it is a concrete embodiment of the ＂Huang-Lao thought＂ of the Spring and Autumn Period. It incorporates Confucianism, Buddhism, yin-yang, and folk worship to make it secular and then consistent with the Taoist doctrine of public preaching. In order to summarize the composition and decorative features of Taoist Priest＇s Robes during the Qing dynasty and the Republic of China（1644~1949）, this essay explores the cultural connotations and ritual meanings of 20 Taoist Priest＇s Robes from the collections of Wudang Museum, Beijing Bai Yun Guan, museums, and private collectors. This paper focuses on the layout, decorative patterns and embroidery design of Wudang Taoist Priest＇s Robes（He Chang and Sleeved Robe）, among which enriches hemispherical dome cosmology and unique ornamental distribution rule. The authors argue that the layout and embroidery design of Wudang Taoist Priest＇s Robes embody philosophy of ＂Tao gave birth to the One; the One gave birth successively to two things, three things, up to ten thousand. ＂ and the pattern design regulation, ＂interactions between heaven and mankind; Dao models itself after nature ＂, of Taoist priests＇ costumes.
作者
夏添
王鸿博
崔荣荣
Xia Tian;Wang Hongbo;Cui Rongrong
出处
《艺术设计研究》
CSSCI
2018年第3期54-60,69,70,共9页
Art & Design Research
基金
国家社科基金艺术学重点项目"中国汉族纺织服饰文化遗产价值谱系及特色研究"(项目编号:15AG004)
江苏省社科项目"江苏省江淮地区民间服饰技艺的活态保护与传承研究"(项目编号:16YSB007)的阶段性成果
关键词
武当道教
法衣
道教符号
纹饰
Wudang Daoism
Ritual costume
Daoist symbol
Pattern
