摘要
穆旦是中国新诗进程中的一位重要诗人,分析他1937—1953年诗歌中的个体话语"我"与集体话语"我们"关系的演变,是深刻理解穆旦诗歌主体意识的关键,它折射出了穆旦对个体与集体关系的思考。穆旦1937—1953年的诗歌创作历程可以分为两个阶段,第一阶段1937年到1942年,穆旦试图寻找到可以抵抗现代性的集体资源,失败后将建构"我们"的希望转向战争;第二阶段从1942年到1948年强调战争和日常生活的他者,并在战争中找到代表抗战群体的"我们"。穆旦诗歌中的"我"既属于集体,又与集体保持着审视的距离。由此可以揭示出穆旦1937—1953年诗歌中个体与集体关系的演变及建构过程,以及他笔下的"我"带给当代新诗的启示。
Mu Dan is an important poet in the process of Chinese new poetry. Analyzing the evolution of his relationship between the individual discourse ＂I＂ and the collective discourse ＂We＂ in poetry from 1937 to 1953 is the key to a profound understanding of Mu Dan＇s subjective awareness of poetry. It reflects Mu Dan＇s thoughts on individual and collective relations. Mu Dan＇s poetry creation process from 1937 to 1953 can be divided into two stages. In the first stage, from 1937 to 1942, Mu Dan tried to find a collective resource that could resist modernity. After the failure, he turned to construct the hope of ＂We＂ in war. The second phase from 1942 to 1948 emphasized the war and other people in daily life, and found us in the war that represented the group of the anti-Japanese war. The ＂I＂ in Mu Dan＇s poems symbolize both the collective and a distance from the collective. This can reveal the evolution and construction process of Mu Dan＇s individual and collective relationship in his poems from 1937 to 1953, and the enlightenment of his ＂I＂ modern poetry..
作者
李艺童
LI Yitong(Fujian Normal University,Fuzhou,Fujian 350007,China)
出处
《福建师大福清分校学报》
2018年第4期19-25,37,共8页
Journal of Fuqing Branch of Fujian Normal University
