摘要
VR影像是对现实的进一步完整复写,其视点从传统以镜头为单位的自由变换到以场景为单位的角色伴随,从而拓展了传统影像的边界,使观众走出"画框"、越过"窗户"、打破"镜子",直接进入了事件正在发生的现场。但无论是对影院公共空间放映的剧情片,还是私人领域的信息接收,VR技术只适合于某些特定类型和题材的影像作品。VR技术并不会对影视产业的发展产生颠覆性的改变,它仅仅是当下成熟的影视技术与影像传播体系的一个补充,而不能完全替代传统的影像传播。VR影像的语言体系建构仍然是学界与业界亟待研究和探索的一个根本课题,如果VR影像难以在叙事层面上有所突破,那么它只能用于满足观众的猎奇心理。
VR images are a further complete re-writing of reality. The viewpoint is transformed from the traditional lens-based freetransformation to the scene-based character, thus expanding the boundaries of traditional images and allowing the audience to get outof the ＂frame＂ and cross the ＂window＂, breaking the ＂mirror＂, going straight into the scene where the incident was taking place. How-ever, VR technology is only suitable for certain specific types and themes of video works, whether for the feature film of the publicspace of the theater or the reception of information in the private sector. VR technology does not make a subversive change in the de-velopment of the film industry. It is only a supplement to the mature film and television technology and image communication system,and cannot completely replace the traditional image transmission. The construction of VR image language system is still a fundamentalissue that needs to be studied and explored by academics and the industry. If VR images are difficult to break through at the narrativelevel, then it can only be used to satisfy the audience＇s curiosity.
作者
曹敬波
谢家顺
CAO Jing-bo;XIE Jia-shun(School of Literature and Communication,Chizhou University,Chizhou Anhui 247000,China)
出处
《廊坊师范学院学报（社会科学版）》
2018年第3期49-53,共5页
Journal of Langfang Normal University(Social Sciences Edition)
基金
池州学院校级人文重点研究项目"媒介融合背景下地方新型主流媒体建构研究"(2016RWZ009)阶段性成果
