摘要
生态美学以整体论哲学与平衡和谐的生态审美观为基础,发展为中国美学在时代发展中的前沿理论形态,并与世界生态文明发展的潮流耦合并进,共成文明新质。袁鼎生教授以审美生态观作为其生态美学的理论基石,构建起集逻辑、历史、应用、元学科、比较研究五位一体,且具有逻辑关联性与内涵递进性的生态美学理论与方法系统。他在理论体系的建构中创生了依生、竞生、整生、美生、自旋生等具有元创价值的学术范畴与学科范式,将西方环境美学的共生研究提升为更具系统意味的整生研究以及更符合生态规律性与目的性的美生研究,将传统辩证法升华为以超循环、自旋生为核心的生态辩证法,最终实现理论与方法内涵的耦合同一,从而成为当今最具代表性的生态美学理论与方法系统之一。袁鼎生教授生态美学理论的时代创生与系统建构,既是学术元创精神与学科生命潜质的共同彰显,也是当下生态文明建设理论发展的内在需求。
Based on holistic philosophy and balanced and harmonious ecological aesthetic concept, ecological aesthetics has developed into the frontier theoretical form of Chinese aesthetics with the development of the times, and marched forward with the world trend of ecological civilization development, forming a new trait of civilization. Professor Yuan Dingsheng has laid a firm theoretical foundation of his ecological aesthetics on his eco-aesthetic views, constructing a five-in-one eco-aesthetic system of theory and methodology that integrates logic, history, application, meta-discipline, and comparative studies and is characteristic of logical relevance and progressive connotation. In his construction of the theoretical system, he has created academic categories and discipline paradigms with meta-creative values, such as dependent-ecology, competitive-ecology, integral-ecology, beautiful-ecology, self-spinning ecology and so on, which promote the symbiotic study of western environmental aesthetics to a more systematic study of integral-ecology and to a beautiful-ecology study more consistent with the ecological regularity and purpose. Furthermore, the traditional dialectics is sublimated into the ecological dialectics with the super-cycle and self-spinning ecology as the core for the final realization of coupling theory, methodology and connotation. Therefore, Professor Yuan's study has become one of the most representative systems of ecological aesthetics theory and method. His epoch-making creation and systematic construction of ecological aesthetics theory is not only the joint manifestation of academic meta-creation spirit and academic life potential, but also the internal demand of the current theoretical development of ecological civilization construction.
出处
《鄱阳湖学刊》
2018年第5期12-21,共10页
Journal of Poyang Lake
基金
2015年度教育部人文社会科学重点研究基地重大项目"生态美学与生命美学的比较研究"子课题之一"生态美学:历史谱系与理论模型研究"(15JJD750009)
