摘要
民间美术是中国文化的母体艺术,是民族精神凝聚力和亲和力的载体,民间美术的民族性与世界性并不是一个新的问题,但其对于我们发展自己的民族性艺术有一定的指导意义。关于两者的界定也是相对的,两者相互交流、相互影响,应该是辩证统一的关系,从民间美术的民族性中挖掘艺术的世界性,也从艺术的世界性中寻求民间美术的民族性,最终形成民间美术的民族性与世界性相互促进、相互发展的关系。
The folk art is the origin of Chinese culture and arl, is the carrier of the national spirit of cohesion and affinity, the nationality of folk art with the world is not a new problem, hut for us to set up their own nationality art has certain guiding significance, about their definition is relative, both to each other and ilffluence each other, we should contact with the dialectical view of them, from the nationality of folk art in the art world, hut also from the world of art for the nationality of folk art, eventually forming the nationality of folk art＇s relationship with worldwide mutual promotion and mutual development.
作者
吕艳
LYU Yan(Design Art College,Huaiyin Institute of Technology-Huan＇an Jiangsu 223001,China)
出处
《盐城工学院学报（社会科学版）》
2018年第3期71-73,84,共4页
Journal of Yancheng Institute of Technology（Social Science Edition）
基金
2013年江苏省教育厅科研项目(2013SJB840003)
2016年苏北发展研究院科研项目(SFY16B17)
关键词
民间美术
民族性
世界性
交流
融合
folk art
nationality
worldwide
exchanges and integration
