摘要
元影像冲动作为个体影像符号行为基石同样催迫着冯小刚进行影像符号生产。冯小刚早期的影像符号行为缓释了由于符号和意义间强制指涉关系所导致的社会符号焦虑,并因实现了个体与社会符号系统的双重生长而成为社会符号系统的自我生长策略。而其后影像符号行为范式的快速迭代令他在错愕中进退失措。冯小刚在其影像符号行为中体现出将被他者一致性的符号之墙隔离的个体本质放回存在的本真渴望,在于这本质与存在合一的主体性时刻显现,这是符号之墙的坍塌和自我本质回归的肇始,在解脱了存在无法自证的困境,生命为其照亮并获得超越性的价值。元影像就是在的形式显现或符号性的隐喻存在,而以影像这一存在最为普遍直观的形式表达向在的趋近与回归这一主体的本真渴求就是元影像冲动。
As the cornerstone of the individual image symbol behavior, the meta-image impulse also has been urging Feng Xiaogang to produce image symbol production. His earlier image symbol behavior re- lieved the social symbol anxiety caused by the mandatory referential relationship between symbols and meanings, which becomes a self-growth strategy for the social symbol system because of the realizing of the dual growth of both individual and social symbol system. However, the rapid iteration of the image symbol behavior paradigm leads to his frustration in consternation. In his image symbol behavior Feng Xiaogang embodies the true desire of putting the individual essence isolated from the wall of symbols in conformance to the others back to the existence, which appears at the subjective moment of the unity of essence and existence. This is the beginning of collapse of the symbol wall and return of self essence with freed eacitence from the plight of being unable to prove itself. Life is illuminated and endowed with transcendental meaning by Being. The meta-image is its form representation or symbolic metaphor- ical existence, and the true desire of the subject to approach and return to Being expressed with image which is the most universal and intuitive form of existence.
作者
章衡
ZHANG Heng(Department of Chinese Language and Literature,Hefei University,Hefei 230601,China)
出处
《合肥学院学报（综合版）》
2018年第4期95-100,共6页
Journal of Hefei University：Comprehensive ED
关键词
冯小刚
元影像
符号
意义
存在
在
Feng Xiaogang
meta-image
symbol
meaning
existence
being
