摘要
芥川龙之介创作小说《手帕》的目的在于批判新渡户稻造所宣扬的武士道精神。但这一批判并未在文本中直接体现出来,而是通过一种迂回隐晦的手法来体现。假如用当代叙事学的术语来解释这种手法,我们可以称之为"反讽叙事"。文本中隐藏着为产生反讽效果服务的"装置"。其反讽效果主要是通过两个方面生成的。一方面是不可靠的叙述者与隐含作者观点的互相背离,另一方面是二元因素的对立。
The purpose of writing Hankachi is to criticize the spirit of Bushido that is advocated by Inazo Nitobe.However,this criticism is demonstrated through an obscure technique in stead of being showed directly in the text. If we use terms of narratology to explain such technique, we can call it ＂ironic narration＂. The settings which generates ironic effect is hid in the text. The ironic narrative effect is achieved mainly through two aspects： unreliable narrator whose views are different from implied author and binary opposition.
作者
吴梦
WU Meng(Department of Foreign Languages,Shunde Polytechnic,Foshan,Guangdong 52833)
出处
《牡丹江大学学报》
2018年第9期46-48,59,共4页
Journal of Mudanjiang University
关键词
芥川龙之介
反讽叙事
不可靠的叙述者
隐含作者
二元对立
Ryunosuke Akutagawa
ironic narration
unreliable narrator
implied author
binary opposition
