摘要
新世纪以来,面对乡土社会进一步变迁的社会现实,西部作家在远离繁华与喧嚣的乡土边疆,寻觅自己的精神归宿。该文从西部小说中的"村庄"意象、民俗人生和乡土风物以及"最后一个"人物形象等几个方面入手,论述并探究西部作家怀旧书写的表征及其文学意义,认为西部作家的怀旧书写是作家对西部乡村自我身份的认知和确立,是西部乡村在工业化、城镇化浪潮中维系自我历史、现在和未来,并防止历史中断的一种可能的有力保障。
Since the new century, facing the further changed social reality of rural society, writers in western China are far away from the prosperous and noisy rural frontier, seeking their spiritual destination. From the perspectives of the image of ＂village＂, the folk custom life and local custom and the ＂last one＂ characters in their novels, in this paper, I discuss and explore the representation and literary significance of the western writers＇ nostalgic writing. It has found that these writers＇ nostalgic writing aims to identify and establish the western countryside and to sustain its history, present and future in the wave of industrialization and urbanization. It also aims to prevent the history to be interrupted as possible.
作者
李小红
LI Xiao-hong(College of Liberal Arts,Northwest Ethical University,Lanzhou 730030,Gansu,China)
出处
《石河子大学学报（哲学社会科学版）》
2018年第4期99-104,共6页
Journal of Shihezi University(Philosophy and Social Sciences)
基金
国家社科基金项目"文化生态视域下的甘肃民间故事研究"(13XZW022)
