摘要
钱鼓舞是广东潮汕地区的代表性舞种之一,被列入省级非物质文化遗产名录。其独特的舞蹈形态蕴含着闽南、潮汕两地文化交融的因子,有着鲜明的地域文化特征。随着赖以传承的文化语境逐渐消失,民间钱鼓舞面临着消亡的危机。与此同时,职业艺术群体对其进行提炼、加工、改编,在专业领域为其开拓一条新传承之路。然而,在艺术加工的同时,专业的侧重往往会消解其部分原初文化内涵。
Qian drum dance is one of the representative dance styles in Chaoshan District of Guangdong,and one of the provincial intangible cultural heritages. Its unique form contains the cultural blending of Southern Fujian and Chaozhou,and has distinct regional cultural characteristics. With the gradual fading of the traditional cultural context,the dance faces a crisis of extinction. At the same time,professional art groups make efforts to refine,redesign and adapt them to develop a new way of inheritance. However,in the process of artistic processing,professional emphasis tends to marginalize some of its original cultural connotations.
作者
王晓兵
WANG Xiao-bing(School of Music,South China Normal University,Guangzhou 510006,China)
出处
《北京舞蹈学院学报》
CSSCI
2018年第3期85-89,共5页
Journal of Beijing Dance Academy
关键词
钱鼓舞
海陆丰
舞蹈形态
传承
Qian drum dance
Hailufeng
dance morphology
inheritance
