摘要
公路电影是近几年国内比较热门的电影类型。中国公路电影是经济发展与精神需求的产物,更是社会问题的"显影"。这类影片在叙事空间建构上开放与封闭并重,叙事时间段落的选取也有极大的相通性,叙事内容常涉及"寻找""救赎""亲情"三个母题。中国公路电影通过几种典型的叙事模式,呈现出经过大众文化润饰过的主流价值观和情感模式。
The road movie is a popular movie geme in recent yeal／s. Chinese highway movie is not only the product of economic development and mental distress, but also the development of domestic social problems. The road movie has both open space and enclosed space. The nanative time of the road movie is similar. The movie often involves three subjects： finding, redemption and kinship. Through several typical narrative modes, Chinese road movie show main- stream Chinese values and emotional patterns.
作者
张杭
李金城
ZHANG Hang;LI Jincheng
出处
《浙江艺术职业学院学报》
2018年第2期36-41,共6页
Journal of Zhejiang Vocational Academy of Art
基金
教育部人文社科青年基金项目<移动互联环境下我国媒介素养的测评及影响因素研究>阶段性成果(项目编号:16YJC860004)
