摘要
少数民族题材国画创作的立足点是在对少数民族认识、理解和感悟的维度上,从表现少数民族日常生活,到展现少数民族风情,再到显现深层的少数民族精神,少数民族题材国画对"民族元素"的体现呈现出由外而内、由表象到本质层层递进的趋势。强化与凸显"民族元素"可以使少数民族题材国画创作避免"浅层化"、走向更深的文化层次、更具思想内涵和持久的生命力。
Ethnic minorities Chinese painting is the product of knowledge of and sympathy with the ethnic minorities,showing their daily life,customs and deeper spirit. The presentation of ethnic element in the ethnic minorities＇ Chinese painting follows a progress from outside to inside,from image to essence. Strengthening and highlighting the ＂ethnic elements＂can help the ethnic minorities Chinese painting avoid superficiality,enhance its cultural connotations and ensure its lasting vitality.
作者
梁宏
LIANG Hong(School of Ethnology and Sociology,South-Central University for Nationalities,Wuhan 430074,China)
出处
《洛阳师范学院学报》
2018年第6期88-91,共4页
Journal of Luoyang Normal University
关键词
少数民族题材国画
民族生活
民族风情
民族精神
ethnic minorities＇ Chinese painting
ethnic life
ethnic culture
ethnic spirit
