摘要
王玫是中国当代著名的舞蹈编导,她的作品很重要,但传统思维的评论、现成的理论模式都无法应对。王玫很孤独,因为她的意会思维超众,创作实践超前,教学方式"格路"。研究王玫编创实践与编导教学实践中的"后现代"特性,其富有个性且自成体系的编导教学,既是编创技法,也是教学方法,更是思维方法,是"渔法"。王玫对她这一编创的每一个步骤、每一种技法、每一类动作都创造出自己的词语概念,以使教学科学化、系统化、理性化。
Wang Mei is a famous Chinese modem choreographist. Her works are very important, however, traditional criticism and existing theoretical patterns are unable to deal with that. Wang Mei feels lonely, because her perception is superb, her creation practice is unprecedented and her teaching pedagogy is special. With a study of the ＂post - modern＂ characteristics in Wang Mei＇s creative compilation and choreographical practice, it is found that her unique and systematic choreographical teaching is not only choreographical technique but also teaching pedagogy and thinking method, or, a ＂fishing method＂. Wang Mei has created her own terms to describe every measure, every technique and every movement of her works so as to make the teaching scientific, systematic and rational.
作者
吕艺生
Lyu Yisheng(Professor and PhD Supervisor at Beijing Dance Academy, Beijing, 100081)
出处
《民族艺术研究》
2018年第4期5-9,共5页
Ethnic Art Studies
关键词
王玫
编导
传统
现代性
后现代
Wang Mei
choreography
tradition
modernity
post - modem
