摘要
中国歌剧在20世纪的百年历程中呈现出从亦步亦趋到自成体系的渐进发展过程。20世纪初,中国学者在翻译介绍欧洲歌剧的同时也关注中国民族歌剧的本体特征,呈现出"旧剧为歌剧"和"歌剧与乐剧"两种截然不同的观点;20世纪20年代,一些音乐家尝试以中国民族音乐为基础,同时借鉴西洋歌剧的创作手法来创作中国歌剧,中国歌剧传统中的现代性因素得以凸现,尤其是80年代,中国音乐剧成为中国歌剧家族中的新成员,中国歌剧在具备民族气派的同时兼具现代性特征与多元化的国际视野。
During the past one century,Chinese opera developed from following others＇ footsteps to forming its own system. At the beginning of the 20 thcentury,while translating and introducing European operas to China,Chinese scholars also paid attention to the characteristics of Chinese ethnic operas,so that two distinctive opinions emerged： ＂old drama is opera＂and＂opera and musical＂. During the 1920 s,some musicians,on the basis of Chinese ethnic music,tried to create Chinese operas with borrowed Western opera techniques. The modern elements in Chinese opera tradition are therefore able to be manifested. In particular in the 1980 s,Chinese musical became a new member of the Chinese opera family. Chinese opera is embodied with its ethnic attributes,modern characteristics and diverse international perspectives.
作者
张春娟
Zhang Chunjuan(Post-doctoral at the School of Arts,Shanghai University,200444)
出处
《民族艺术研究》
2018年第3期101-111,共11页
Ethnic Art Studies
基金
国家社科基金重大项目"中国古代文学制度研究"(编号:17ZDA238)阶段性成果
第61批中国博士后科学基金资助课题"中国歌剧文献整理与研究"(编号:2017M611524)
上海市哲学社会科学规划项目"上海歌剧文献整理与研究"(编号:2017BWY005)
关键词
20世纪中国歌剧史论
旧剧
秧歌剧
新歌剧
民族歌剧
history of Chinese opera in the th 20 centuty
old drama
Yangko opera
new opera
ethnic opera
