摘要
莫言的《锦衣》是一部戏曲文学剧本,它一方面借鉴了中国传统戏曲的艺术形式,另一方面也延续了莫言一贯以来的民间立场,在人物的脸谱化、情节的模式化、语言的抒情性、主题的寓言性上,体现着两方面的融合。
Mo Yan＇s Silk Clothing is a drama script literature. On the one hand,it draws on the art form of traditional Chinese opera：on the other hand it also extends the folk position Mo Yan consistently stand on： there are two aspects of the fusion of the characters＇ faces,the pattern of the plot,the lyricism of the language and the allegory of the theme.
作者
钱婷婷
QIAN Ting-ting(School of Literary Arts, Anhui University, Hefei 230039, Chin)
出处
《太原学院学报（社会科学版）》
2018年第2期72-76,共5页
Journal of Taiyuan University(Social Science Edition)
关键词
《锦衣》
脸谱化
模式化
抒情性
寓言性
Silk Clothing
types of facial make- up
pattern
lyricism
allegory
