摘要
历代昭君诗大多体制短小,只是截取昭君生活的一个片段,表现内容比较单一,主题比较集中。而程敏政的《明妃曲》则明显不同,篇幅的加长增加了诗歌的情感容量,勾画了人物形象的不同侧面,塑造了一个"多情自得"的昭君形象。同时,程敏政的《明妃曲》思想的深刻性和矛盾性同时存在,给研究者的解读带来困惑。这种矛盾性与作者理学家的身份不无关系,是"形象大于思想"的具体体现。
Most of the Wang Zhaojun verses are short,focusing on the tiny fragments of Wang Zhaojun＇s life with relative simplicity in content and high concentration in theme,while A Memorial Verse to Wang Zhaojun by Wang Zhaojun enlarges the length of the verse and the affectional load,building the image of an affective Zhaojun with depiction of various scenes of her life and outlining of different aspects of her characters.This verse brings much confucion to its interpretation due to the profoundness and contradiction of ideas existing at the same time in it,and the contradiction results to some extent from the author＇s identity as a Neo-confucian philosopher,revealing the philosophical idea of＂the image supassing the thought＂.
作者
杨勇
Yang Yong(China Three Gorges University,Yichang,Hubei,44300)
出处
《语文学刊》
2018年第3期8-13,共6页
Journal of Language and Literature Studies
关键词
程敏政
昭君诗
《明妃曲》
人性
理学
Cheng Minzheng
Wang Zhaojun peoms
A Memorial Verse to Wang Zhaojun
human nature
neo-confucianism
