摘要
恩斯特·布洛赫的《乌托邦的精神》第一版发表于1918年,修订新版发表于1923年,后来,作者把这两个版本分别收录于自编全集第16卷和第3卷中,足见其对这部作品的高度重视和偏爱。《乌托邦的精神》一书被誉为20世纪初哲学表现主义的代表作。从风格上看,这部作品具有气吞山河、狂放不羁的狂想诗特征：语言晦涩、风格怪异,宣泄主观精神,描写直观意向,传达弥赛亚的预言,揭示了永恒神奇的心灵内涵;从主题上看,这部作品反对战争、强权和剥削以及现存社会制度对个性的压抑,热情讴歌人类觉醒和黎明,主张人性复归和道德重建,提出了＂心灵、弥赛亚和启示录＂的口号。
Ernst Bloch’s"Spirit of Utopia"of the first edition published in 1918,revised version published in 1923,and later,the authors were included in these two versions of self Collected Works Volume 16 and Volume 3,which shows the importance and preference of this work."Spirit of Utopia"is known as a masterpiece of the Philosophical Expressionism in early 20th century.From the style point of view ,this work has the daring,uninhibited fantasy poem features:language obscure,quirky,vent subjective sprit,describe of the intuitive intention and convey the Messianic prophecy,revealed the eternal magic of the mind meaning; from the subject point of view ,this works against the war,power and exploitation,and the existing social system on the suppression of individuality,celebrated the dawn and awakening of human and advocate human reversion and moral reconstruction,proposed the slogan of"soul,Messiah and Revelation".
出处
《德国哲学》
2017年第1期110-120,共11页
Chinese Journal of German Philosophy
