摘要
中国的“听觉转向”提法源于文学叙事研究和文化研究领域内学者的倡导。这个词更多侧重的是对声音美学或听觉文化研究重要性的强调。与之相关的西方理论资源也表明,对听觉文化的重视并不意味着要生造出“视觉霸权”作为批判的对象。因此,从“转向听觉文化”的角度来看,听觉文化有其特定的基于现代听觉技术而出现的听觉文化现象这一逻辑起点,并形成了侧重于声音和听觉的当代文化批评的“造声”“听音”“声景”的问题域。听觉文化研究关注的是“视听杂交”和“视听均衡”。
“The auditory turn ”in China is originated from some schol-ars in literary narration studies and cultural studies. It emphasized the impor-tance of the study of sound aesthetics or auditory culture. The western theoreti- cal resources was also showed that emphasized the importance of the study of auditory culture did not mean that it is necessary to create “visual hegemony” as an enemy. Therefore, from the point of view “the turn to auditory culture”, the auditory culture was based on the emergence of modern hearing technology and formed some problematic of the contemporary culture, such as “making sound”,“listening sound” and “ soundscape”. Auditory culture study is fo-cused on the “ audio-visual hybrid” and “ audio-visual balance” .
出处
《文化研究》
CSSCI
2018年第1期6-16,共11页
Cultural Studies
基金
国家社科基金重点项目“欧美左翼文论中的中国问题”(项目编号:15AZW001)的阶段性成果
关键词
听觉文化
听觉转向
转向听觉文化
Auditory Culture
The Auditory Turn
The Turn to Audi-tory Culture
