摘要
卢卡奇文艺思想自从20世纪30年代被引介到中国,至今已经走过了80多年历程。他的现实主义小说理论、典型性、总体性和物化理论已为国内文艺界耳熟能详。卢卡奇文艺思想在中国的接受并非一帆风顺,而是在政治与意识形态的主导下发轫、发展,至今形成了多元化的学理性探究局面。本文从历时角度,梳理卢卡奇文艺理论在中国的接受史,总结其接受史呈现出的特征,阐释卢卡奇文艺思想对中国马克思文艺理论的建构作用。
Since Lukacs＇ literary theory was introduced into China in 1930s, its reception has been more than eighty years. Lukacs＇ theories, such as Realism, typicality, totality and reification are well-known to the literary field in China. The reception of Lukacs＇ literary theory in China is not featured with smoothness, but is shaped by politics and ideology, and is now studied in academic diversity. From the diachronic perspective, the research in- tends to analyze the reception history of Lukacs＇ literary theory, reveal the periodic charac- teristics of its reception, and expound the Lukacs＇ participation into constructing Chinese Marxist literary theory.
出处
《中国比较文学》
CSSCI
北大核心
2018年第3期145-156,共12页
Comparative Literature in China
基金
本文为作者参与承担的国家社会科学基金重大招标项目：“马克思主义与世界文学研究”(14ZDB082)、河北省社会科学基金项目“河北红色经典文学作品英译接受度调查研究”(HB17YY008)的阶段性成果.
