摘要
近十多年来,我国的反腐题材电视剧处于严重缺席的地位。电视剧《人民的名义》播出后,受到市场和口碑的双重肯定,很重要的一个原因在于该剧符合了受众的心理诉求。文章从接受美学的视角出发,对电视剧《人民的名义》进行了市场环境、人物形象塑造与社会文化精神传达方面的深入剖析,揭示出该剧取得市场和口碑双丰收的深层原因,希望为反腐题材电视剧的创作提供一些借鉴和启示。
In the past decades or so, China＇s anti-corruption series had been terribly inadequate. After the televising of In the Name of People, it became very important that the play was in line with the aesthetic appeal of the audience due to the dual affirmation of market and word-of-mouth. Therefore, from the perspective of aesthetics, this article analyzed the market environment, the characterization of the characters and the social and cultural communication in the series In the Name of People, and revealed the deep reason for the series to gain a double harvest in the market and word of mouth. It was hoped that In the Name of People could provide some inspiration and references to TV series with anti-corrution themes.
作者
李振礼
王永收
Li Zhenli;Wang Yongshou
出处
《民族艺林》
2018年第2期132-136,共5页
Journal of Ethnic Art
关键词
反腐剧
接受美学
期待视野
受众
《人民的名义》
anti-corruption series
aesthetics acceptance
expecting horizon
audience
In the Name of People
