摘要
《毕兹卡族谱》立足于少数族裔的文化和知识,于地方性的经验中发现了与主流叙述不同的文学风景。以自鸣钟进入花桥所造成的时间秩序的改写为标志,跳跃性的"文化生成的片段"获得了一种逻辑性重组的可能。作者在花桥中寄寓了某种乌托邦式的想象,但需要警醒的是,恰恰是城市经验照亮了作者的花桥记忆。作者基于"原乡情结"的写作,一方面为读者提供了异质性的阅读经验,另一方面则因为对故乡的认同,而对未来缺少建设性的思考。
Bizka Genealogy is based on the culture and knowledge of ethnic minorities and finds different literary landscapes from mainstream narratives in local experience. Taking the rewriting of the time order caused by the entry of the bell into Huaqiao as the symbol,the leaping ＂fragment generated by culture＂obtains a possibility of logical reorganization. In Huaqiao,the author harbors some kind of utopian imagination,but what needs to be warned is that it is the urban experience that illuminates the memory of the flower bridge. The author ’s writing based on the ＂hometown complex＂provides readers with heterogeneous reading experience on the one hand,but lacks constructive thinking on the future because of the recognition of hometown on the other hand.
作者
邵部
SHAO Bu(School of Liberal Arts , Renmin University of China , Beijing 100872, China)
出处
《湖南工业大学学报（社会科学版）》
2018年第3期7-11,共5页
Journal of Hunan University of Technology(Social Science Edition)
