摘要
作为当代俄罗斯重要文学主潮之一,新现实主义在当代俄罗斯自由化的文化语境和多元化的文化转型中渐次兴起,有其新的现实、新的方法和新的理念。它通过借用白银时代新现实主义的文学遗产、各种先锋现代思想和后现代主义思想,形成既区别与传统现实主义和后现代主义,又部分介乎二者之间或之外的独特文学态势。其特点主要表现为美学观念的哲理倾向、艺术手法的综合趋势和叙事策略的多样态势。其中,对社会现实的合成表现,对真实诗学的变异诉求,对人物形象的多样塑造,则是新现实主义的诗学核心。这种思潮特点与诗学特色,部分呼应当代俄罗斯文学的整体风貌和艺术的宏观特点。正因区别于传统现实主义和后现代主义,新现实主义文学思潮既保留着现实主义的美学内涵,部分借鉴现实主义的创作基本原则,又吸收包括后现代主义在内的各种先锋技巧,其本质应属于现代主义美学范畴;正因介乎现实主义和后现代主义之间或之外,随着后现代主义在俄罗斯的合法化和蔚为大观,新现实主义文学思潮在1990年代逐渐实现与后现代主义的不断合流和多样对话。
As one of the main trends of contemporary Russian literature, new realism comes into being in the context of Russian cultural liberalization and cultural transformation, containing new realities, new strategies and new ideas. Inheriting the heritage of Russian neorealism in the Silver Age, it also makes use of postmodernist conceptions. However, unlike traditional realism and postmodernism, Russian new realism has such different features as philosophical orientation of aesthetic concepts, hybridity of artistic techniques, and diversity of narrative strategies. The tenets of Russian new realist poetics can be best summarized as synthesis of social reality, variety of poetic expression, and diversity of characterization, all of which go in accordance with the style and the macroscopic characteristics of contemporary Russian literature. Sharing the same aesthetic features and basic principles with modernism, Contemporary Russian new realism still falls into a broad aesthetic category of modernism. Occupying a liminal space between realism and postmodernism, Russian new realism began to merge into postmodernism in the 1990s when postmodernism was on its high tide in Russia.
作者
王树福
Wang Shufu(School of Chinese Language and Literature, Central China Normal University, Harbin 150080, China)
出处
《外国文学研究》
CSSCI
北大核心
2018年第3期131-142,共12页
Foreign Literature Studies
基金
国家社科基金一般项目"白银时代俄罗斯戏剧转型研究(1890-1920)"(17BWW042)~~
