摘要
晚清民国时期,"红头阿三"的形象广泛流行画报之中。晚清时期,画报对印度巡捕的塑造与想象呈现出"执法者"与"犯法者"的双重面相。"五卅"运动爆发后,在反帝民族主义运动之中,"红头阿三"代表的印度巡捕这一群体的普遍化形象,广泛流行于漫画报刊之中,并被赋予了强烈的民族主义政治内涵。在革命阶级话语之下,它被塑造为"帮凶者"与"亡国奴"的政治形象,成为对大众进行革命动员的象征性的殖民人物,形构了民众的耻辱记忆。这一形象在上海商业文化环境的影响下被抽离了政治化的内涵,逐步渗入民众日常生活之中,日趋滑稽化,成为供大众娱乐与调侃的消费符码,同时这一过程又反过来促进了"红头阿三"形象的大众化传播。
During the period of the late Qing Dynasty and the Republic of China, the image of Red-head Ah San was widely popular in the pictorial. During the late Qing Dynasty, Pictorial＇s modeling and imagining of Sikh policemen showed a double look between Law-executor and Lawbreaker. After the outbreak of the May 30th Movement, in the anti-imperialist nationalism movement, Red-head Ah San represented the generalized image of Sikh policemen of this group. It has become popular among comics and newspapers and has been given a Under the revolutionary class discourse, it was shaped strong nationality. Political connotation. as the political image of the Accomplice and Conquered people and became a symbolic colonial figure that revolutionized the public and shaped the memory of the people＇s shame. This image was detached from the politicized connotation under the influence of Shanghai permeated into the daily life of the people ＇s commercial and cultural environment. It gradually and became more and more ridiculous. It became a consumer symbol for popular entertainment and ridicule, and this process in turn promoted it. The popularization of the Red-headed Ah San image.
出处
《历史教学（下半月）》
CSSCI
北大核心
2018年第6期20-30,共11页
History Teaching
关键词
耻辱
戏谑
红头阿三
形象塑造
Colonial Shame
Cultural Irony
Red-headed Ah San
Image Shaping
