摘要
基于"同数",董仲舒通过"人副天数"与"官制象天"将天、人与政有机地联系起来,建构出系统的数哲学。正是数与数字的出现与运用使得其不仅建构了独特的哲学体系,而且也形成了独特的哲学语言范式与叙述风格。因此,《春秋繁露》涌现出同、合、喻、通、和、比、类等修辞范式,诸般修辞手法的大量出现形成了《春秋繁露》所特有的语言现象与语言特色。
Based on “the same number”, Dong Zhongshu constructed the systematic philosophy of numbers byorganically linking nature, man and politics through “Man is a copy of nature” and “The official system is like thesystem of nature”. It was because of the appearance and application of numbers and figures that not only was a uniquephilosophical system constructed, but also a unique philosophical language paradigm and narrative style was developed.Thus, there emerged in Chun Qiu Fan Lu such rhetorical paradigms as “similarity”, “combination”, “metaphor”,“association”, “harmony”, “analogy” and “class” etc., and the abundant use of these rhetorical paradigms formed aunique linguistic phenomenon and linguistic feature of Chun Qiu Fan Lu.
作者
王传林
WANG Chuanlin(Confucius Culture Research Institute, Qufu Normal University, Qufu, Shandong 273165, China)
出处
《衡水学院学报》
2018年第4期55-63,共9页
Journal of Hengshui University
基金
国家社会科学基金年度项目(17BZX008)
关键词
董仲舒
修辞
天数
《春秋繁露》
语言现象
Dong Zhongshu
rhetoric
numbers of nature
Chun Qiu Fan Lu
linguistic phenomenon