摘要
改革开放以来,国内哈萨克族民歌研究在乐谱搜集整理、音乐形态研究、文化研究、文学研究、比较研究、传承研究等方面取得了一定的成果。但在研究中也存在民歌概念和分类模糊,文本和语境相分离,缺少微观个案和区域民歌比较研究,缺少跨界族群视野下和历史民族音乐学视野下的民歌研究等一些问题。本文期望通过对上述问题的分析和反思,为后期研究提供参考,以提升哈萨克族民歌研究的系统性和整体水平。
Since the reform and opening up, research on domestic Kazakh folk song has achieved certain results in music score collection and collation, form research, cultural studies, literary studies, comparative studies, and inheritance studies. However, in the study, there are problems such as the ambiguous definition of concept and classification of folk songs, separation of the text and context, lack of cases and comparative study of regional folk songs, and folk song research under the perspective of cross-border ethnic groups and historical folk music studies. This article hopes to provide a reference for later research by analyzing and reflecting on the above issues, so as to improve the systematic and overall level of Kazakh folk song research.
作者
王丹
Wang Dan(Xinjiang University of the Arts, Urumqi, Xinjiang 83004)
出处
《新疆艺术学院学报》
2018年第1期34-41,共8页
Journal of Xinjiang Arts University
基金
教育部人文社科规划基金项目<新疆地区秦腔艺术的传承和发展研究>(编号:15YJA760032)
新疆人文社科重点研究基地--少数民族音乐与舞蹈研究中心项目<新疆哈萨克族民间说唱音乐"托勒敖"调查与研究>(编号:XJEDU06115B01)的阶段性研究成果
关键词
哈萨克族
民歌
研究
述评
Kazakh
folk songs
research
review.
