摘要
壁画是寺院建筑中重要的装饰元素,也承担对信众的教化功能。藏传佛教寺院中吉祥象征物的大量使用,世俗化装饰图案在寺院建筑中所处的空间,均体现宗教教义与藏民族信仰的结合。由于藏传佛教吉祥主题图案的源流有所不同,艺术表现手法有所差异,文章仅通过分析藏传佛教吉祥主题壁画的源流以及图案化景观表达特征,说明藏传佛教绘画艺术融合各种文化背景并加以取舍为本民族所用的巨大创新能力。
The mural is the very important decorative elements in Tibetan monastery while the critical education means to the believers as well. The auspicious themes paintings which combine the religious doctrines and secular belief in the murals are widely used in the secondary spaces of the monastery. Thanks to the different origins of the auspicious themes, the painting techniques are various in some aspects. The author, by analysis of the origins and characteristics of landscape elements in the auspicious theme murals, tries to suggest that the Tibetan paintings show the diversity and creativity of Tibetans through the merge of various cultures from different background.
出处
《建筑与文化》
2018年第5期242-244,共3页
Architecture & Culture
基金
国家社科基金一般项目(项目编号:13BMZ2030)
中央高校基本科研业务费项目(项目编号:SK2018007)
关键词
藏传佛教寺院
吉祥壁画
溯源
Tibetan monaster
Auspicious theme mural
Origin
