摘要
民国年间,潮剧班社曾到上海演出共10次。在此期间,潮剧艺术广泛借鉴其他地方剧种与文艺形式以改良自身,致使潮剧的演出形态产生诸多变革。潮剧戏班在上海的多次演出使"潮剧"这一名称真正确立,并迅速传播到各地,被普遍接受。潮剧入沪演出促进潮剧剧目的拓展和舞台布景的改良,同时又将游艺演出、戏院演出、演剧筹款等风尚带到粤东,影响了粤东地区的演剧风气,是潮剧发展史上的重要节点。
During the Republic of China, Chaozhou Opera Troupe had been to Shanghai for 10 times, and meanwhile Chaozhou Opera widely learned from other local operas and art forms, which brought about various morphological changes. The performances in Shanghai finally established the title"Chaozhou Opera", and quickly spread it all over the country. They promoted the expansion of the repertoire and the improvement of the scenery, and changed the performing atmosphere in eastern Guangdong area. It's an important node in the history of Chaozhou Opera.
出处
《汕头大学学报（人文社会科学版）》
2018年第3期55-60,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
民国
潮剧
演出形态
剧目拓展
The Republic of China
Chaozhou Opera
performance pattern
expansion of the repertoire
