摘要
杨宗稷作为清末九疑琴派的创始人,不仅开苍劲坚实、清丽脱俗之琴风,他的琴学论著《琴学丛书》更是对古琴音乐理论作了突破性、创新性的架构。杨宗稷对琴学的哲学思考,体现了中国传统文化精神,其文化追求可以概括为重情、守真、求变。杨宗稷认为操琴是对个人性情的追求,是一条回归自然的途径和通道;弹琴意欲抱朴守真,保持心的本性;琴学要有开放创新的思维观念,要"与时迁移"。
Yang Zongji, as the founder of the＂nine doubts＂ancient Qin school in the late Qing Dynasty, not only opened the strong and solid, clear and refined ancient Qin style, his study of the Qin Xue Cong Shu was a breakthrough innovative structure of the music theory of ancient Qin. His philosophical thinking of ancient Qin, reflected the traditional cultural spirit of China. In this paper, Yang Zongji＇s cultural pursuit was summarized by means of＂feeling＂,＂keeping the truth＂and＂seeking change＂. Yang Zongji believes that the playing Guqin is the pursuit of individual temperament, a way and channel to return to nature; playing Guqin is meant to hold true, to maintain the nature of the heart. There should be an open and innovative concept of thought and a＂migration with time＂.
作者
马馨兰
周子宜禾
Ma Xinlan;Zhou Ziyihe(Hebei Radio and Television,Shijiazhuang,Hebei 050031,China;Hebei Institute of Communications,Shijiazhuang,Hebei 051430,China)
出处
《保定学院学报》
2018年第3期85-91,共7页
Journal of Baoding University
关键词
杨宗稷
《琴学丛书》
古琴
传统文化
文化精神
Yang Zongji
Qin Xue Cong Shu
Guqin
traditional culture
cultural spirit
