摘要
文化是人的思想观念及其物化存在。钢琴音乐的创作、欣赏及传播过程即社会文化现象。西方钢琴音乐传入中国后,呈现出多元文化共荣的景象。无论是运用传统音乐素材改编的钢琴作品,还是蕴含"十二音""无调性"等西方现代音乐技法的原创作品,都将东西方不同的思想协调共济,呈现出中国音乐特有的"中和""神韵"意指。
Culture is an idea of people and its materialized existence. The creation,appreciation and transmission process of piano music is a social-cultural phenomenon. After the western piano music was introduced into China,it took on a prosperity of multiculturalism. Both the piano works adapted from the traditional music and the original works which contain＂twelve-tone＂,＂atonalism＂and other western modern musical techniques integrate the different ideas from the East and West with expressing the meaning of＂neutralization＂and ＂charm＂of Chinese music.
作者
唐进
赵成明
TANG Jin;ZHAO Chengming(College of Music and Dance, Siehuan University of Culture and Arts, Mianyang Siehuan 621000, China)
出处
《长沙大学学报》
2018年第3期119-122,共4页
Journal of Changsha University
基金
四川文化艺术学院校级重点科研项目"西方钢琴艺术中国化的形态表象与文化意指研究"
编号:CWYA201501
关键词
中国化
钢琴艺术
意指
改编作品
符号学
Chinization
Chinese piano music
cultural meaning
adapted works
semeiology
