摘要
晚清上海石印画报《图画日报》藏有珍贵的清同治以来上海戏曲演出资料,其中涉及有较多"武旦戏"的演出图像及文字资料,这些资料既表现出清末民间"武旦戏"演出的繁荣情形,更为珍贵的是表现了清宫与民间戏曲的交流状况。本文借此考虑晚清"武旦戏"发展的历史脉络,并考虑武旦脚色成熟的内在原因,并对当今戏曲改革加以思考。
Many precious opera performance data since Emperor Tongzhi in late Qing Dynasty in Shanghai can be found in the lithographic printed pictorial newspaper Picture Daily. Among them there are many image and text data about the performance of ＂Wu Dan＂ role, which not only shows the prosperity of operas for ＂Wu Dan＂ role, but also leaves valuable data about the conditions of the interplay between the court and the folk opera. This paper focuses on the history of ＂Wu Dan＂ role in late Qing Dynasty, and the internal reasons for the uaturation of the dramatic role of Wu Dan, and contributes to the reform of the modem drama.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2018年第2期87-100,共14页
Drama:The Journal of the Central Academy of Drama
基金
教育部人文社会科学研究青年基金项目"清代宫廷连台本大戏演出研究"(项目编号:14YJC760017)
山西大同大学博士科研启动项目"清宫武戏研究"(项目编号:2015B16)的阶段性成果
关键词
《图画日报》
武旦戏
清宫武戏
Picture Daily, Wu Dan opera, martial arts and acrobatics in operas
