摘要
徐晓钟教授是一位学者型的富有创新精神的导演艺术家。他数十年的教学实践,持之以恒地进行导演理论的各项专题研究,随时总结经验,最终形成一套特色鲜明的导演理论。他运用自己的理论指引舞台艺术实践,成功地创作出《桑树坪纪事》《马克白斯》《浮士德(第一部)》等优秀舞台艺术作品。本文对《桑》剧演出进行重点分析。他的导演理论和舞台艺术实践构成一个完整的体系。晓钟同志的导演理论来源于三个戏剧文化渊源:中国古典戏曲的美学思想、斯坦尼斯拉夫斯基体系和布莱希特的演剧理论、方法。他将三者融合,创新发展,开创一个导演艺术再现美学与表现美学相结合的新篇章。阐述布氏演剧理论、方法。
As a scholar and director with creative mind, Professor Xu Xiaozhong has continually carried on research on directing theories with perseverance and has established a unique set of directing theories based on his long experience. These theories have led to a succession of good onstage works, including The Stories of Sangshu Village, Macbeth, Faust （Ⅱ）, etc. Focusing on the analysis of The Stories of Sangshu Village, this paper gives a picture of Professor Xu＇s system of on-stage experience and directing theory, with the latter derived from aesthetics of Chinese opera, Stanislavsky＇s tradition, as well as directing theories and approaches of Brecht. Professor Xu has integrated and innovated these theories and begun a new chapter featuring the combination of director＇s representing aesthetics and expressionist aesthetics.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2018年第2期38-46,共9页
Drama:The Journal of the Central Academy of Drama
关键词
徐晓钟
导演艺术论
舞台艺术实践
《桑树坪纪事》
导演再现美学与表现美学相结合
借鉴与创新
布莱希特演剧理论
方法
Xu Xiaozhong, Theories of directing art, on-stage experience, The Stories of Sangshu Village, the combination of directer＇s representing aesthetics and expressionist aesthetics, Reference and innovation, Directing theories and approaches of Brecht
