摘要
本文旨在探究阿甘本思想中姿态批评的相关内容,澄清姿态批评何以属于政治与伦理的生命政治理论论域的根据。文章分为三部分:第一部分勾勒阿甘本有关哑口、空无和纯粹媒介的姿态维度,指出其悬置批评传统,重新勘定新的批评边界的革命性批评意义;第二部分阐明姿态也是阿甘本的思想来源者本雅明文学批评的主要概念,并论述中断作为本雅明姿态论的内容及价值;最后一个部分阐释作为生命政治批评范畴的姿态论。本文的结论为姿态论是阿甘本文学批评的根本思想,并由此标志着其文学批评从美学批评向生命政治批评的深度越界与重大转向。
This article explores the gestural criticism in Agamben＇s works and elucidates why it belongs to the biopolitical criticism of politics or ethics. This article has three sections. First,it discusses the dimensions of gesture,gag,emptiness,and pure medium,and then points out that gestural criticism＇s revolutionary significance in terms of suspending the critical tradition and resetting a new boundary for criticism. Second,it illuminates that gesture is also a key critical concept of Benjamin＇s,and then discusses the meaning and value of interruption in gesture. Third,this article illustrates that the theory of gesture belongs to biopolitical criticism. This article concludes that gesture is fundamental to Agamben＇s critical thought,which indicates a turn from aesthetic criticism to biopolitical criticism.
作者
支运波
Zhi Yunbo(is an associate professor in the Arts Research Institute, Shanghai Theatre Academy, and a post-doctoral fellow in Nanjing University, with main academic interest in art theory and biopolitical theory. Address： Yuxiu Building, No. 630, Huashan Rd. , Shanghai 200040)
出处
《文艺理论研究》
CSSCI
北大核心
2018年第2期59-68,共10页
Theoretical Studies in Literature and Art
基金
上海市"曙光学者"项目"生命政治理论美学的批判性研究"[项目编号:17SG48]
"上海市教育委员会高原学科建设计划Ⅱ高原上海戏剧学院艺术学理论"
中国博士后科学基金面上资助"生命政治理论视阈中的生存美学研究"[项目编号:2016M590433]的阶段性成果~~
