摘要
刘思训《中国美术发达史》是20世纪40年代重要的美术史著述之一,在中国现代之美术史学科建设中有着独特的学术价值。该著作在美术史料挖掘、中国美术史的理论框架及编著方法上,均有鲜明的特点。作者对中国美术史中的有关重要问题进行了较为深入的研究,提出新的学术见解,使其成为民国时期一部具有理论新见的中国美术史力作,对推动中国美术史学科建设起到了积极作用。
Liu Sixun＇ s Flourishing History of Chinese Fine Arts is one of the important fine arts history works in the 1940s. This book has unique academic values, contributing to the construction of the discipline of modern Chinese fine arts history. This book is characterized by the investigating of historical fine arts materials, as well as the theoretical frames and compilation methods of Chinese fine arts history. The author undertook in - depth studies on relevant significant issues of Chinese fine arts history and proposed new academic opinions, thus making the work a theoretically originally innovative work on Chinese fine arts history during the period of the Republic of China. This work therefore actively advanced the construction of the discipline of Chinese fine arts history.
出处
《民族艺术研究》
2018年第2期105-110,共6页
Ethnic Art Studies
基金
2015年度北京市哲学社会科学重点项目“中国艺术史观与方法研究”的阶段性成果~~
关键词
刘思训
中国美术史
中国现代艺术史学
学科建设
Liu Sixun, Chinese fine arts history, modem Chinese art history, construction of the discipline
