摘要
作为"后发外生型"现代化国家,中国的现代化进程交织着文化整合、民族意识、权威政治乃至社会功利等多方思潮的角力与博弈。电影在这一进程中,扮演着多重角色,它既是现代性的物化表征,又是舶来思想的文化载体,更以其批评场域的形成为民族这一"想象的共同体"提供了自我认同的公共空间。早期电影批评以其广阔繁荣的批评场域、多元复合的批评主体、渐趋自觉的批评意识和伦理教化的批评范式积极参与到了老旧中国的现代化进程,并因此开拓了崭新的研究视野。
As a modern country with ＂post emergence exogenous＂, China＇s modernization process is intertwined with cultural integration, national consciousness, authoritative politics and social utilitarianism. Movie plays multiple roles in this process. It is not only the materialized representation of modernity, but also the cultural carrier of the imported ideas. It also provides a self identity public space for the nation, the ＂imagined community＂, based on the formation of its critical field. Early film criticism has actively participated in the modernization process of old China with its broad and prosperous critical field, multiple compound criticism subjects, gradually conscious criticism and ethical education paradigm, and thus created a new research vision.
作者
赵轩
ZHAO Xuan(Shanghai Film Academy, Shanghai University, Shanghai 200072, Chin)
出处
《重庆三峡学院学报》
2018年第2期98-104,共7页
Journal of Chongqing Three Gorges University
