摘要
随着现代文明浪潮般的席卷,乡村田园牧歌般的宁静被粗暴地践踏。近年来,肩负使命感和责任感的艺术家尝试以一种温和、渐进的姿态参与到乡村活化之中,力图通过重建人与人、人与自然、人与神的关联,修复乡村的礼俗秩序和伦理精神,探索乡村的复兴之路,用艺术昭示改变世界的一种新的可能。"青田范式"可谓是当代中国艺术参与乡村的缩影,笔者有幸参与广东省佛山市顺德区杏坛镇龙潭乡青田坊的乡村修复项目,并担任村落文化空间调查组负责人,在多主体在地实践中继续探讨艺术乡建之问题。本文以笔者的青田坊现有田野调查材料为基础,试图从人类学与公共艺术的跨学科视角探讨三大问题——主体缺位:乡民在场还是被迫忽视?目标落差:文明复兴还是文化观光?发展张力:各谋其利还是合作共赢?进而对艺术如何参与并活化乡村进行反思。
With the wave of modern civilization swept through, the rural idyllic tranquility was violently trampled. In recent years, artists with a sense of mission and responsibility have attempted to participate in the process of rural activation in a moderate and gradual manner. They have tried to rehabilitate the customs and ethics of the country by reestablishing relationships among people, man and nature, man and God Spirit with art in order to explore the revival of the country. It shows us that art could be a new possibility of changing the world. The ＂Qingtian Paradigm＂ is the epitome of contemporary Chinese art in the countryside. I was fortunate enough to participate in the rural restoration project of Qingtian Fang which is located in Longtan Township, Xingtan Town, Shunde District, Foshan City, Guangdong Province, and in charge of the village cultural space investigation team to explore the issue of art and rural construction in the practice of multiagent. Based on the author＇s existing field investigation materials in Qingtian Fang, this paper attempts to explore three major issues from the interdisciplinary perspective of anthropology and public art. Subject vacancy： are the villagers present or ignored？ Goal gap： civilized revival or cultural sightseeing？ Development tension： for their own profit or win-win？ And then reflect on how art can participate and revitalize the countryside.
出处
《公共艺术》
2018年第2期20-27,共8页
Public Art
关键词
艺术参与
乡村活化
“青田范式”
田野调查
多主体
artistic participation, rural activation, ＂Qingtian paradigm＂, field investigation, multi-agent
