摘要
马君武桂剧改革处于唐景崧改革与欧阳予倩改革之间,不仅具有承前启后之作用,还因其历史必然条件与个体偶然因素的特殊性,而表现出改革思路的独特意义。马君武站在教育家与革命家之高度,其桂剧改革不仅创造了好几个首次或是全新,在政治觉悟与思想高度上远胜于唐景崧改革,还为后来欧阳予倩改革描绘了初步轮廓,并为今后桂剧发展奠定了思想基础。
The time of MA Jun-wu ＇s reform on Gui Opera is between the one of TANG Jing-song and the one of OUYANG Yu-qian.Ma＇s reform not only has the function of the former,but also shows the unique reform＇s thought due to its historical necessity and the particularity of the individual accident factors. As an educator and a revolutionary,Ma＇s reform not only created several first or new,but also was higher than Tang＇s reform on political consciousness and thought. At the same time,Ma＇s reform not only represented a preliminary outline for Ouyang＇s reform,but also laid a solid ideological foundation for Gui Opera＇s future.
出处
《南阳理工学院学报》
2018年第1期96-101,共6页
Journal of Nanyang Institute of Technology
基金
2016年国家社会科学基金一般项目"桂剧演出百年流变研究"(16BZW170)
关键词
马君武
桂剧改革
独特性
唐景崧
欧阳予倩
MA Jun-wu
reform of Gui Opera
uniqueness
TANG Jing-song
OUYANG Yu-qian
