摘要
艺术介入城市公共空间成为城市更新的新话题,2017年第二届上海城市空间艺术季在这方面做了大胆和成功的实验。策展人从广阔的国际视野,挑选了国际一流的艺术家们的装置作品。这次合作与以往不同的是,展出作品的场地不拘泥于美术馆性质的空间,而是在巨大的工业建筑——上海浦东新区民生码头一座闲置多年的粮仓内进行。这座八万吨的筒仓,已经结束了它的工业使命,在沉睡了十年之后,当高达五十多米的筒仓重新亮起灯光时,人们感受到时间的沉淀,以及艺术激活城市死角的巨大能量。
Art intervention in urban public space has become a new subject of urban regeneration. In 2017, the 2^nd Shanghai Urban Space Art Season （SUSAS） forged bold and successful experiments in this field. The curators adopted an international perspective with board horizon, and singled out installations from the globally renowned artists. Different from the past, the works selected for this project are no longer limited to the white cube of gallery space but to be placed in a large-scale former industrial building--the abandoned granaries at the Min Sheng Pier of Shanghai Pudong New District. This eighty-thousand-ton silo had finished its industrial mission. After sleeping for ten years, when the 50-meter high silos relit its lights, one felt the deposition of time and Art＇s great power to re-activate the city＇s dead ends.
出处
《时代建筑》
2018年第1期176-180,共5页
Time + Architecture
