摘要
莫扎特K626《安魂曲》在西方音乐史中的地位不容忽视,只有读懂了这部作品,才能正确评价和理解这位时代的音乐巨星。从《安魂曲》的乐曲结构、演唱织体等方面,都能感受到莫扎特这部作品的创新之处,它不同于以往的宗教音乐,摆脱了以往宗教音乐的束缚,改变了宗教音乐模式。这种创新和改变使管弦乐队实现了交响化,突出了人声部分与戏剧形成对比,丰富了合唱音乐的表现力。
Mozart K626 Requiemcannotbe ignored in western music history. Without fully understanding of the K626 Requiem, one cannot get a correct and clear understanding of the super music giant of his era. The structure and texture of the K626 Requiem, different from traditional sacred music, show the innovation by Mozart which change the mode and make orchestra more symphony-like,therefore highlight the contrast between human voices and drama, and enrich strengthen the performance of chorus.
出处
《新疆艺术学院学报》
2017年第4期32-36,共5页
Journal of Xinjiang Arts University
