摘要
茅原教授一生在诸多领域奉献了卓有见地的研究成果。作品分析是其中重要的领域之一。他独特的研究风格和音乐分析理念表现在他对音乐形式与内容概念、音乐语言、内容与形式之关系等方面。音乐本身就有其"自己的内容和形式","作品所反映的思想、感情、艺术家的个人艺术气质,属于内容的范畴"。在音乐艺术中,内容与形式不可分割的同时,形式具有相对的独立性。音乐不是生活音调的反映,而是现实生活中的人(自然)的心理运动的反映。音乐语言是人化的自然,即经去人的主观过滤所反映的自然的映象。形式是内容得以保持和存在的物质载体。
Professor Mao Yuan contributes insightful research results in many areas among which work analysis is an impor tant one. His unique research style and concept of musical analysis are mainly manifested in his obser vations of musical form and content, musical language, and the relations between the content and form. Music has "its own content and form", and "thoughts, emotions, and personal artistic temperament of the artist reflected in the work fall into the category of content". In terms of musical arts, while content and form are indivisible, the form is relatively independent. Music does not reflect the tone of life, but reflect the psychological movements of the individual(nature) in real life. Musical language can be seen as humanized nature, i.e. reflections of nature by subjective filtering. The form is the material carrier for the content to remain vibrant.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2017年第4期121-125,共5页
Journal of Nanjing Arts Institute:Music & Performance
关键词
音乐分析
茅原
音乐内容
音乐形式
音乐语言
musical analysis
Mao Yuan
musical content
musical form
musical language
