摘要
中期尼采发明了系谱学这一新的历史哲学的研究方法,并以之作为批判的利器,从哲学和情感的双重维度对形而上学展开了猛烈批判,在破除形而上学迷雾的同时,牢固地确立了生成哲学的基本思想。尼采在生成哲学的基础上倡导一种实证科学的研究方法,相信借助实证科学,不仅可以认识此在世界,还可以修正此在世界,在肯定此在世界和个体生命的价值中克服此在之悲剧性真理。中期尼采基于信奉实证科学的立场对艺术的批判,借此牢固地确立起了科学乐观主义的信仰。
This article interprets Nietzsche’s middle period philosophy of becoming.Firstly,it points out it was Nietzsche in his middle period who invented genealogy,the new research method of philosophy of history,and used it as a weapon to criticize metaphysics from the dual dimension of philosophy and emotion.By clarifying metaphysics,he established the fundamentals of the philosophy of becoming.Secondly,it points out that Nietzsche advocates a research method of empirical science on the basis of the philosophy of becoming,believing that with the aid of empirical science,we can not only recognize existent world,but also correct it,and ultimately overcome the tragic truth while affirming the existent world and the value of individual life.Finally,it combs Nietzsche’s middle period criticism of art by using empirical science,revealing that Nietzsche in his middle period of philosophy firmly established the belief of scientific optimism through this criticism.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2018年第1期94-101,共8页
Journal of Lanzhou University（Social Sciences）
基金
国家哲学社会科学研究基金重大项目"当代西方前沿文论研究"(12901-412121-14050)
关键词
中期尼采
系谱学
生成哲学
科学乐观主义
艺术的三宗原罪
Nietzsche in his middle period of philosophy
Genealogy
philosophy of becoming
scientific optimism
three original sins of art
