摘要
张爱玲小说中的人物大部分没有长大成人,他们经历着青春期以前的俄底浦斯式纠结。这些与描写孩子成长过程的古老童话故事中的人物特征不谋而合。就如很多传统童话中的人物那样,张爱玲小说中的人物也是直白白地暴露出自己的欲望。而且这一欲望大部分以家庭为背景,在俄底浦斯式葛藤结构中展开。并且童话中的母亲形象往往是以魔女的形象登场,这是为了将删掉"坏妈妈"的形象,完整地留下"好妈妈"形象的一种童话式战略。张爱玲小说中最大特点之一的"恶母"形象就是具有这样的童话式结构特征。对张爱玲来说,能够真正信任和依赖的母亲是上海。另外,在童话中常常出现的能够从邪恶的现实中得到救赎的幻想空间,在张爱玲小说中也常常登场,其代表性的空间就是香港。在本论文中研究者将要展示解读张爱玲小说的另一种视觉,即童话式结构。
This essay attempts to present the frame of children's tales as an additional perspective for reading ZHANG Ailing.Most characters in ZHANG Ailing's stories show conflicts in Oedipal complex of pre-adolescence period, and that is because they are not significantly different from characters in traditional children's tales, which capture the growing process of children. As many of those in traditional children's tales, characters in ZHANG Ailing's stories openly reveal their desire, and the desire mostly unfolds in the frame of Oedipal conflicts set in their family. Mothers in children 's tales often appear in the image of a vicious witch, and that is a strategy in children's literature of expurgating the "bad mother" to preserve only the "good mother." "Bad mother," which is one of the significant characteristics in ZHANG Ailing 's stories, shares the same function as those in the frame of children's tales. It is arguable that the truly reliable "mother" for ZHANG Ailing is Shanghai. ZHANG Ailing's stories often feature a fantastic space where characters can be saved from savage reality, and Hong Kong may be considered a representative space as such.
出处
《济南大学学报（社会科学版）》
2018年第2期39-45,共7页
Journal of University of Jinan:Social Science Edition
