摘要
对宋元时期代表性器物梅瓶与玉壶春瓶的实用性和美感进行分析。以二重证据法和图像学为基础,从宋代商业文化与儒家思想出发,将历史文献与文物、图像相对照。中国古代珍惜资源、物尽其用的惜物观对宋元造物产生了深远影响,并最终形成了梅瓶与玉壶春瓶,从包装到实用酒器,再到陈设品,功能与美的统一。
It analyzes the practicability and aesthetic feeling of Meiping and Yuhuchun vases, the symbolic wares in the Song and Yuan dynasties. Adhering to both the commercial culture of Song and Confucianism, it is based on dual attestation and iconography by providing with supportive historical documents and images of cultural relics to make comparisons. The far-reaching influence of cherishing things in ancient China, i.e., valuing resources and make the best use of everything, had been demonstrated in the creation process during the Song and Yuan dynasties, which transformed Meiping and Yuhuchun vases from original wine packages into wine vessels and then into furnishings, a combination of aesthetics and functionality.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2018年第2期70-74,共5页
China Ceramics
关键词
宋元
梅瓶
玉壶春瓶
惜物观
Song＆Yuan Dynasties, Meiping, Yuhuchun vase, Concept of cherishing things
