摘要
改革开放以来,尤其是20世纪80、90年代是新疆维吾尔族题材影视作品发展的初始阶段也是重要阶段。该阶段新疆维吾尔族题材影视中主要体现为维护祖国统一的国家意识,维护新疆和谐稳定、发扬民族团结的国家意识。新疆影视工作者具有自觉承担历史责任、坚持职业操守的品格,新疆电影将祖国统一、国家认同等主旋律与丰厚的本土元素相结合的探索性尝试,为今后的新疆影视业的发展奠定了坚实的基础。
The period of the reform and opening,especially in twentieth century 80 and 90 s is the initial stage and important stage of the development of Xinjiang Uyghur film and television.After summarizing the characteristics of these film and television,the author thinks that there are two narrative modes in these film and television,they are safeguarding the unity of the China,maintaining stability of Xinjiang,promoting national unity and so on. Xinjiang film and television workers have the character of consciously taking historical responsibility and adhering to professional ethics. They try to make Xinjiang film combine the theme of national unity and Chinese identity with the local elements,all these have laid a solid foundation for future development of Xinjiang film and television.
出处
《喀什大学学报》
2017年第4期75-78,共4页
Journal of Kashi University
基金
中国博士后科学基金第58批面上资助项目"新疆当代维吾尔文学国家意识表达嬗变及文化成因研究"(2015M582772XB)
自治区社科基金"新疆维吾尔文学作品中爱国主义思想研究"(2015BZW077)的阶段性研究成果
关键词
维吾尔族题材
影视作品
国家意识
Uyghur Theme
Film and television works
Nationd consciousness
