摘要
新时期的文学书写中有一条由隐到显的游荡者叙事线索,这些以游荡者为主要叙事对象的小说可归纳为"游荡者叙事小说"。游荡者叙事小说的叙事主体置身于与秩序对立的民间,在获取自由叙事立场的同时,往往在对立的价值观中纠结、分裂。主体分裂促成了他们对新主体性的寻找,这一寻找集中在与民间呼应的边缘世界,"边缘寻找"是游荡者叙事小说的核心动力。游荡者叙事小说的整体风格呈现为一种漫游性,这种漫游性一方面表现为不具备逻辑清晰的线索,总体结构散漫随意,另一方面表现为文本的感性化或心理化。
There is a flauerie narrative clue which turns from hidden to obvious in the new period of literature writing. Those novels with flaneur as the main narrative object can be classified as ＂Flaneur Narrative Novels＂. The main narrative subjects of the flaneur narrative novels are placed in the folk which is in opposition with the order. At the same time of getting free narrative stand- point, they often tend to tangle and split in opposite values. The split of subjects leads to their search for new subjectivity, which focuses on the marginal world echoing with the folk, and ＂edge searching＂ is the core power of the flaneur narrative novels. Flanerie is the overall writing style of flaneur narrative novels. Such kind of flanerie is on one hand represented by a desultory and arbitrary structure without clear and logical clues, on the other hand is characterized by perceptual or psychological texts.
出处
《中国文学研究》
CSSCI
北大核心
2018年第1期114-119,共6页
Research of Chinese Literature
基金
贵州省社科规划项目"新时期小说中的‘游荡者’研究"(15GZYB63)
