摘要
继《观察者的技术》（Techniqueso，theObserver）出版后十余年，克拉里出版了《知觉的悬置》一书。该书秉承了克拉里一贯的研究风格，用综合了自然科学、哲学和心理学的研究方法，通过对马奈、修拉、塞尚的作『舁l进行个案分析，以十年为一个阶段交代一种现代注意力的历史演进关系，聚焦于一个一以贯之的主题——人类之眼，并再次回归到对现代性景观的思考。
10-plus years after the publication of Techniques of the Observer, Crary published Suspensioos or＇Perception, which has continued Crary＇s researching style, synthesizing the methods of natural science, philosophy and psychology. This book focuses on the consistent themeIthe eye of human, and return to the thoughts about the spectacle of contemporariness, with a decade as a phase expressing the contemporary attention＇s historic evolving relationship, through case study of Manet, Seurat and Cezanne＇s works.
出处
《当代美术家》
2018年第1期28-31,共4页
Contemporary Artists
关键词
注意力
现代性
情动意指
attention, contemporariness, affective signification
