摘要
居于大类的晚清写实小说在笔调与主观意图上仍基本立足于暴露,其所描绘的画卷也形象地再现出晚清社会诸多破裂镜像,体现出有晚清之小说特有的文学生态语境和话语维度。晚清写实小说在延续传统小说的批判立场之下,又传达出某种特质——狂欢。晚清写实小说的叙事逻辑首先体现为对狂欢化的描写,即对晚清现实社会景观的彻底暴露;其次是这种暴露背后的文化狂欢,即个体的宣泄与价值虚无;最后则是一种意识形态的狂欢。晚清写实小说在重构意识形态的抉择上还略显模糊与含混,但是其早于"五四"文学之于启蒙与审美的民间意识形态话语方式的突显却是极富启发性与现代性的。在中国近现代小说发展历程中,晚清写实小说在叙事话语建构、文学地理视阈、民族国家意识想象、文学边界意识等诸多方面均具有先导性。
The realistic novels in late Qing Dynasty in general were largely based on exposure,which painted in many broken scenes and also vividly showed the late Qing Dynsty novels' unique literary contest and disclosure dimension.The late Qing novels continued the traditional criticism,and then conveyed a certain characteristic—carnival.First,the narrative logic of realistic novels reflected the description of carnival.The second was the cultural behind this exposure.Finally,as an ideological carnival,the realistic novels in late Qing Dynasty has also been slightly ambiguous in reconstructing the choice of ideology,but it was enlightening and of modernity for the literature of May 4th period.In the development of Chinese modern novels,the realistic novels in late Qing Dynasty was a pilot in the construction of narrative disclosure,literary perspective of geography,national imagination and the consciousness of literature boundary.
出处
《东岳论丛》
CSSCI
北大核心
2018年第1期130-137,共8页
DongYue Tribune
