摘要
莫高窟第285窟南壁故事画中的持麈人物是莫高窟历代洞窟中最早的持麈人物图像。本文论述第285窟南壁故事画中两次出现持麈人物的意义与内涵,并指出由第285窟持麈人物所体现出来的南朝传入北方的文人意识,是此前莫高窟壁画中所没有的,第285窟麈尾的形制特点也反映了时代风格的变迁和南北文化的传播与交流。
The south wall of cave 285 presents the earliest image of a man holding a ＂zhu＂（horsetail whisk）made from the tail of deer-like animals that endowed the holder with the right to be heard.This paper not only discusses the meaning and connotation of this figure,who can be seen twice in the paintings,but also points out the growing importance of the literati and the spread of culture from south to north.This was a new theme in Mogao murals of the time.The comparison of the shape of the ＂ zhu＂ in cave 285 with the shapes of the＂ zhu＂ illustrated in other caves also serves to demonstrate the cultural communication and stylistic exchanges that were taking place between north and south China at that time.
出处
《敦煌研究》
CSSCI
北大核心
2017年第6期58-65,共8页
Dunhuang Research
基金
上海市设计学Ⅳ类高峰学科资助项目:服饰文化历史与传承研究团队(DD7002)
关键词
莫高窟
第285窟南壁
故事画
持麈人物
麈尾
holder Of a ＂zhu＂
horse-tail whisk
south wall of cave 285
story painting
Mogao Grottoes
